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ROSE & FLAME

Desire in the Courts from the Troubadours to Machaut

Love and desire lie at the heart of the music and poetry of the troubadours (Occitan), trouvères (Old French), the minnesängers (German), and Guillaume Machaut. These medieval poet-musicians crafted refined and often idealized expression of love, intertwining passion with feudal and religious imagery. Their songs were primarily monophonic, allowing the poetic text to take center stage. The interplay between words and melody was essential - intricate verse forms and melodic contours deepened the emotional resonance of their works.

LE LIVRE ROUGE

Music of the Pilgrims of Montserrat

The Llibre Vermell de Montserrat ("The Red Book of Montserrat") is a 14th-century manuscript from the Benedictine monastery of Montserrat, Catalonia, named for its original red velvet binding. It was created as a devotional guide for pilgrims visiting the Shrine of the Virgin of Montserrat, featuring music, prayers, and rituals to enrich their veneration of the Black Madonna.


The manuscript contains ten significant medieval musical

compositions, blending sacred and secular traditions to enhance the spiritual experience. 

FLORILEGIUM

Songs of Medieval England from 1150 to 1300

The musical traditions of the British Isles during the Middle Ages were a cultural tapestry shaped by various continental trends. Influenced by papal authority and the Viking and Norman invasions, English songs embraced a heritage of Latin, English and Anglo-Norman French. The songs presented in the program offer a rare glimpse into the vibrant musical culture in the British isles from 1150 to 1300. The influence of Celtic folk songs and dances, troubadour music, and plainchant is evident in these pieces, which often employ themes of nature and allegory. 

VAGA FANCIULLA

Music of the Italian Ars Nova

The Ars Nova was a revolution that changed the face of musical

culture in the late Middle Ages. In the realm of secular song, rhythm fused with metrical texts originated a new style that utilized vernacular language and polyphony to sing about love. Coating poetic forms such as the ballad, the madrigal, and the caccia with sound and rhythm gave them a new life. This program is a presentation of the Ars Nova in Italy, featuring the works of Jacopo da Bologna, Giovanni da Firenze, Andrea Stefani, Magister Pietro, Francesco Landini, and Johannes Ciconia.

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