I was born and raised downtown Chicago and as a teenager lived in the north suburbs of the city.
I studied at McGill University for my Bachelor and Masters in Baroque violin and viola. Now I am currently doing a Masters in medieval fiddle at Schola Cantorum Basiliensis.
I am primarily a freelancing early musician working in Canada and United States. I also occasionally get hired to paint something.
I sort of stumbled on it during a baroque summer academy and it hit something deep inside. It just felt so natural to me. Now I can't stop thinking or talking about it.
Music of the early 15th century, a clear starry night, Machaut, the Lyra da braccia, the cold.
I do love snowboarding.
Isabelle Douailly-Backman (she/her/they/them) is a Montreal-based historical string player. Originally from Chicago, she moved to Montreal to pursue a degree in modern viola at McGill University. There she discovered a love for early music and has since completed a B.Mus in Baroque Viola and a M.Mus in Baroque Violin from McGill University under the tutelage of Hélène Plouffe and Olivier Brault.
Today, Isabelle frequently performs on baroque violin, viola, and medieval vielle with ensembles and festivals in Canada, including Ensemble Caprice, Arion Baroque Orchestra, Tenet Vocal Artists, L’Harmonie des Saisons, Musique Royale, and Montreal Baroque Festival. She is also currently studying medieval vielle at the prestigious Schola Cantorum in Basel, Switzerland, under the tutelage of Baptiste Romain. She is the artistic director and founder of COMTESSA, an historically-informed ensemble who performs 11th to 15th century music on medieval period instruments. Isabelle is the 2023 recipient of the Barbara Thorton Memorial Scholarship, a biennial scholarship awarded by Early Music America and members of Sequentia to “an outstanding and highly motivated young performer of medieval music.” Isabelle also collaborates outside the early music scene with groups like the queer arts collective Sapphonix.
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